It used to be very easy to die in an Adventure Game. One wrong move and it’s game over, restore or restart. Use an oil can on a suit of armor and an axe came down and lopped off your head. Try to walk out of a convenience store with a Grotesque Gulp without paying for it and you get shot full of holes. Try to cross a huge desert and die of thirst. Restore and try again. And Again.
Ron Gilbert (of Monkey Island fame – and much more) was the first person I know of to question the role of death in games. After all, when you are playing a game, you are immersed in the game’s world and the game experience. You are having fun. Then suddenly, Game Over.
A Slap in the Face
Death removes you from the situation. It breaks the illusion that you are part of the game. It’s just not FUN to die.
(Unless, of course, you are playing Leisure Suit Larry. Then, the game is all about finding different ways Larry can die. After all, the poor schmuck clearly deserves what he gets.)
Most of the deaths in the Golden Age of Adventure Games were not made because the designers were all a bunch of sadistic misanthropes who wanted the players to suffer. No, most deaths were there for the very practical reason that due to budget and time constraints, games were very linear in story. You can only afford to create as much game as tells the story. Any deviation from the main plotline met in death because death is the easiest way to put the player back on the track.
Some of these “Dead Ends” are just sloppy game design. Death is a rather drastic way to tell the player that she’s making a mistake when she walks into a dark room without a light.
How fun is that?
We agreed with Ron’s assessment – arbitrary death in computer games sucks for the player.
Quest for Glory Funerals
Then again, we designed death into our games. If you drank the Dragon’s Breath – you burned up. If you walked into a dark alley at night – you met your maker. If you faced a Super Saurus at the beginning of the game with only a dagger, you probably wound up as the Saurus’s supper.
All the deaths in Quest for Glory had one thing in common – they were avoidable. Play smart, act the part, and you stay alive.
Death by Antwerp
But if death in games isn’t fun for the player, why have death in the games? Isn’t the purpose of games to be entertaining to the player?
Games need to be fun. However, fun involves more than just solving puzzles. Otherwise, we’d all be whizzes at crosswords. Some of the pleasure from games comes from the tension caused by the risk of making a mistake and suffering the consequences.
Yes, we actually enjoy stress when we play games.
If there is no consequence in making a mistake, there’s no excitement. Solving the problem is only a matter of trial and error. We get enough of that in real life.
However, in a game, if you guess wrong – bzap! The possibility of death makes you play very carefully. There’s nothing quite as exciting as knowing that one wrong step and you could fall to your doom – as long as you have a clue which step is wrong and which is the right one. When you succeed in a particularly dangerous quest, you get the thrill of success and the satisfaction of accomplishment.
Flunking Out of Hero-U
From the beginning of the Hero-U game design, we decided that there would be no death in the game. If the player got the main character, Shawn, into too much serious danger, Shawn was not going to just stand there and let himself get killed. He was going to do the intelligent thing – stop fighting monsters and run away.
After all, Shawn has a mind of his own and he does not want to die.
On the other hand… Who is playing this game – Shawn or the Player?
This is not some television show where you passively watch Shawn explore the university and try to get laid… er… make friends and influence people. What Shawn does is up to you. If you tell Shawn to throw a dagger at a huge gnormous starving Sea Serpent, do you really want Shawn to look you sternly in the eye and give you the finger because he thinks that’s a really bad idea?
Probably not (although maybe you should listen to him sometimes!).
And if Shawn is sneaking around some stranger’s house in the middle of the night and doesn’t dare get caught, is he really going to sit down at the stranger’s piano and play Rimsky-Korsakov’s ‘Flight of the Bumblebee’? Not if he can help it.
Hero-U: Rogue to Redemption is all about making choices. That means, we need to let the player have choices, both good and bad ones. But choices are meaningless without consequences.
Death is the ultimate consequence of a bad decision.
Besides, where’s the fun of sneaking around a darkened castle in the middle of the night if you aren’t trying to avoid the notorious Mr. Terk? If he catches Shawn – you know that Shawn will be expelled. Worse, you’ll see Mr. Terk’s smirking face as he lectures Shawn. That’s a fate worse than death, at least in this game.
We had a lot of really good ideas for this game when we started out. However, just as our art style has evolved as we work on Hero-U, so too has our design. There will be turned-based combat in this game. It will be more puzzle-solving and outthinking your opponent rather than pressing a key very quickly and hoping that you are faster than the monster is.
But there are times in the game when you have to make a choice – do you risk death to possibly finish off a monster, or do you tell Shawn to run away? Shawn won’t lecture you, but he might subtly suggest that he has a really good pair of running shoes.
What happens when Shawn dies or gets arrested for ‘Breaking and Entering’?
Alas, it’s our old enemy, the Death Screen. You’ll have to restore or restart the game.
Fortunately, the game thoughtfully saved itself when you first entered the dungeon so you won’t discover that you last saved the game, er… never.
You also get to see a very nifty Death Screen painting and a happy rhyming epitaph to take the sting away. Not everyone will get to see that special treat.
But why should you be rewarded only for making a mistake? In Hero-U, you don’t just get a special screen when you lose. You also get a special screen when you win. After all, either way, you made a decision and took a chance.
In the previous article, I talked about how the Hero-U art process had changed from flat perspective 2D to full 3D while retaining the lush graphics style of our concept art.
Now I will show how the animation process has evolved as the game progresses.
The Dire Rat
The Dire Rat is like a rat crossed with Tasmanian Devil – bad tempered, fast, and with really sharp teeth. It is not only meaner than your ordinary sewer rat – it eats rats for breakfast.
The local residents of Caligari, Sardonia call them “Drats.”
The first design sketches of the Drats looked like this, and went well with the original cartoony character designs:
Initial Sketches by Eric Varnes
When JP painted the Wine Cellar, he made the Drats look sleeker and much more dangerous.
Painting Detail by John Paul Selwood
Then, Terry Robinson took the Drat monster to the next level of design in this detailed sketch:
Sketch by Terry Robinson
2D or not 2D
Sierra On-Line had a very sophisticated animation program to create their games. We were starting from scratch. After looking at several different animation tools for Hero-U, we settled on a program that used a “Puppet” approach to animation. The images were broken apart and then the parts could be moved separately like a puppet on a string.
This shows how many pieces it took to make a Drat move with the Puppet system:
Parts of a Drat
Here’s a screenshot of the puppet Drats strolling across a room:
Puppet Drats Walking
On the whole, they look too cartoony and not very scary. At the time, it was what we had to work with.
A Change in Plans
When we released our first demo for the game, there were comments that the hero looked stiff and moved poorly. Now you can see why the characters moved so stiffly. It took a lot of work to do this puppet animation in the game, even with the professional animator we had hired. Even with his skill and traditional animation background, the characters still moved like puppets on strings.
Then our lead animator was made an offer he couldn’t refuse – a big game company wanted to pay him a real salary for his work (unlike the peanuts and popcorn and evental fame and fortune that we offered). Alas, he was tired of eating popcorn for breakfast and was lured away from us.
We were left with a hokey-looking animation system and no animator.
The Coming of CAH
Last year about the time our lead animator left the team, Corey and I were asked to talk at a small game conference. One of the exhibitors was Concept Art House, who did character designs for games like “League of Legends.” When we spoke with them, they were very interested in working with us.
However, their artists and animators worked in 3D.
Real vs. Memorex
Frankly, we didn’t like the look of the last game we did in 3D. We didn’t have a team who was used to working with 3D. Most of the art team did not want to work with 3D.
But we liked what we saw from CAH, so we gave them a chance to change our minds about 3D animation. We had them take one of our designs and turn it into a 3D model.
We sent them this:
Dire Rat Model Sheet
They sent us back this:
Dire Rat Polygons
And then this:
Dire Rat Textured
Now our Drats look like this:
Dire Rat 3D
Now this is what I call a scary Drat.
It’s even scarier when you squash and skin them:
Dire Rat Unwrapped
This is how the 3D artist creates the textures that will be placed upon the 3D wire frames. This is why 3D artists make the big bucks in the game industry. It takes a good imagination to figure out how to paint three dimensional objects with two dimensional tools.
CAH managed to convince us that they could give us a better-looking and moving Drat than we had with the 2D Puppet engine despite our initial concerns. We asked them to redo all of our character art in 3D, and we are very pleased with the results.
Doing Whatever It Takes
Working with a new team and unfamiliar tools, flexibility is essential. Hero-U started out with cartoony, flat characters in a chessboard-like top-down environment. We then tried the Sierra look with flat characters on an isometric “stage”. Either could have worked, but did not look good enough by 21st Century graphics standards.
Our new look uses 3D environments, both 2D and 3D props, and 3D characters with full animation. Hero-U is not the game we started out to make; it is going to look much better than we dreamed it could.
Equally important to getting a game out, we now have all of the basic character design and animation complete. This has required us to stretch the budget with personal funds, but we are convinced it was the only way to go for this game. Making this decision almost a year into development has also added months to the schedule, but realistically we could not have done any better in 2D with the people and resources we had.
We are now on track to make a game that is new, original, and beautiful. Like we did with Quest for Glory, we are making Hero-U: Rogue to Redemption to be a game we can be proud of 20 years from now.
We’re deep into production of Hero-U: Rogue to Redemption. The game’s scope and scale are much larger than we intended when we first started out. We thought we were making a small puzzle/rpg that had its roots in Adventure Games. Now it is becoming a full blown RPG/Adventure Game along the lines of our original Quest for Glory games.
As you may know by now, the Hero-U team is all over the world. It would be very nice to have us all in the same place working at the same time as we had on our previous game project. It is a challenge to manage a project of such an ambitious scale under the best of situations, but our team is creating something beautiful and unique for all of you to play.
It’s time we pulled back the curtain to show some of our progress and process.
The Wine Cellar Painting
Wine Cellar Painting
This was one of the first concept paintings that JP Selwood made for this game back just after we completed the Kickstarter. It’s such a beautiful piece, it made it difficult to picture our game as a simple puzzle game. Between the fans and artwork like this, we knew we had to make a game worthy of them all.
This was the inspiration – now it was time to turn the Wine Cellar into an environment for the game.
Game Design Time
First I came up with a list of all the things we wanted to happen in the Wine Cellar. Most of the castle/school is safe for the students – much safer than Hogwarts. But it’s hard to learn to be a hero if you never have to face danger.
Few things are scarier than the unknown.
So the Wine Cellar is a place to explore in the dead of night. There are creatures lurking in the corners. There is danger here. There is a mystery to solve.
And at one time, it was where the knightly order who lived in the castle made wine. Alas, even knightly orders have to make a living somehow.
So I had to research the ins and outs of winemaking in order to set up this location.
Then I created a floor plan for the Wine Cellar, wrote up a detailed room description in Google Docs so that it could be shared with the team, and passed it onward to JP.
Wine Cellar Layout
Bringing the Wine Cellar to Light
Now it was time for JP to work his magic again.
He started with a detailed pencil sketch.
Wine Cellar Pencil Sketch
Then he did this lovely color comp.
Wine Cellar Color Comp
Here’s a detail of the glass blowing room (where the bottles were made) and the main corridor of the cellar.
Wine Cellar Color Comp Detail
Building the Cellar
Now that we had a detailed vision of the Wine Cellar, it was time to give Chris Willis his turn at taking a painting and creating the room in 3D. It had to retain the unique qualities of JP’s painting. We are creating the game with both 2D and 3D artwork, and they need to meld seamlessly.
Chris first created the separate elements that made up the Wine Cellar right down to the individual bottles. Here’s a screen shot of some of the elements in Maya.
Wine Cellar 3D Pieces
The main way we work together with the team is by holding weekly meetings – one with the artists and another one with the programmers. Here is a screenshot from one of our Google Hangouts showing part of the 3D rendered art.
Wine Cellar 3D
And finally, here is a close up of the 3D Wine Cellar to match JP’s color comp.
Wine Cellar Color 3D Detail
After all that work, the room is only about half finished. The programmers need to put in the events, the combat, the game play, and finally the music. Meanwhile, we will continue to polish the game design and fill out the text, dialogue, and events that take place in the Wine Cellar.
And this is just one section of the game. We are making steady progress on all of them, but as you can see, nothing in game development comes easily.
9. The Hero-ewe turned out to be a ram and boy, do we look sheepish.
8. The artists ran out of blue pixels.
7. We received a court order to change the Hero-U name because it was deemed to be too confusingly similar to the Wii-U.
Therefore from this point onward, Hiiro-U will only be available on Nintendo gaming machines.
6. The Kwirks demanded green M&Ms in every room.
5. The entire team got sick after eating spinach dip at the company party.
4. Dr. von Braun blew up the science lab tower… again.
3. The company treasurer absconded with the funds and ran off to Daventry – It’s a magical place.
2. One of the programmers caught a code.
And the Number One reason that Hero-U has been delayed:
Someone forgot to tell the designers that this was supposed to be a small Indie game.
Several members of the Hero-U cast have ties to Eire and will gladly raise a glass to her beauteous shores.
Our Roguish hero, Shawn O’Conner, was born on Sardonia, but his parents both hailed from the Emerald Isle. As a result, Shawn has a slight lilt to his voice and a definite gift for blarney.
Our Paladin instructor and healer, Moira Glenshannon, has a deep love for the land she once called home. Alas, duty called her away to serve and preserve life on the shores of a very different island. At this time of year, she often thinks back about what her life would be if she had stayed in Eire. As dear to her heart as Eire may be, she knows she made the right choice to be a part of the Hero University.
We hope that you feel the same way as Moira does – proud to be a part of Hero-U.
We want to thank all of you for supporting Hero-U. Now that we’ve revised this website, we’ve had several orders of collectibles and game pre-orders. We’ve also had some very nice donations. We really are lucky to have fans like you to help bring Hero-U to life.